Monday, January 28, 2013

Workers' ultimatum to arrest Tazreen, Smart owners


Three organisations of garment workers on Monday issued a 48-hour ultimatum to the government to arrest the owners of Tazreen Fashion Ltd and Smart Export Garments Ltd.
The organisations threatened to besiege the Labour Directors' Office on February 3 if their demands were not met by the deadline.
The organisations issued the ultimatum from a two-hour sit-in since noon in front of the Bangladesh Garment Manufacturers and Exporters Association (BGMEA) building in the capital.
Around 500 garment workers along with writers and socio-political personalities took part in the programme jointly organised by Garment Workers' Trade Union Centre, Bangladesh Garment Workers Unity Council and Bangladesh Textile Garment Workers Federation.
Criticising the recent remark of Home Minister MK Alamgir over the arrest of Tazreen’s owner, they said the minister is working in favour of the offenders.
They demanded punishment to those garment owners responsible for the death of workers and compensation to the families of each dead and injured worker.
They also urged the authorities to strengthen government vigilance to ensure workers' safety at all garment factories.
Communist Party of Bangladesh (CPB) President Mujahidul Islam Selim, Bangladesher Samajtantrik Dal (BSD) General Secretary Khalequzzaman Bhuiyan, National Committee to Protect Oil, Gas, Mineral Resources, Power and Ports Member Secretary Prof Anu Mohammad and garment worker leaders spoke at the programme.

Faith, in the life of a poet

Rabindranath invariably believed in a religious view which is directly related to the greater welfare of humanity as well as human beings. He was neither an atheist nor a great believer of conventional religions. In one of his poems he asserted that he was not interested in leaving any view because he was complete through consuming all the beliefs into himself. Tagore philosophizes that truth always merges into a unified whole. While writing the book Rabindranath: Dharmabhabna (Tagore: Thoughts on Religion) Professor Kajal Banerjee, an influential Bangladeshi essayist and poet, portrays Rabindranath would perhaps believe in a God of humanity. He brings out multifarious perceptions of Tagore regarding religion through a number of quotations from different sources. He has also added his own comments to clarify Tagore's points of view, thus adding a new dimension to this literary piece.
Kajal Banerjee has proved his capability of integrating Tagore's transitional views in only eighty pages. He has gone through Tagore's works with much devotion to postulate what he thinks of Tagore's religious standpoint. It is true that Tagore was not in the same position throughout his lifetime in terms of beliefs and visions. His perceptions have been transformed with the passage of time. If we consider Tagore's philosophy, we find a good deal of revisions in it. He loved to revise and renew his views and opinions because he believed in self growth and understanding further. However, there was no iota of doubt that the basic arenas of humanity and equality among people, regardless of caste and creed, were the same from the very beginning of Tagore's poetic career to the very end.
If one were to look at Tagore's thoughts about atheism, one would notice that Tagore clarified his earlier standpoint regarding atheism later in life. Banerjee comments that Tagore did not solely throw away atheism, which is a modern idea and reveals the natural tendency of a poet or artist. To make this point stronger, Banerjee exemplifies an instance from Tagore's famous short story, Robibar (Sunday), in which the protagonist Avik measures everything based on his atheistic views. Furthermore, Professor Banerjee refers to the letters which Tagore shared with Hemantabala and that are full of his conflicting comments regarding religion.
Banerjee also discusses Professor Jatin Sarker's comment, which notes that Tagore's belief in the theory of evolution is conspicuous in many of his poems. Rabindranath was influenced by the thoughts, views and theories of Lalon Shah and Hason Raja. Their religious views possessed greater value, which was passionately felt by Tagore because he believed that humanity is deeply rooted in those theories. Consequently, when we go through his Hibert speeches we observe that humanity is considered as the supreme aspect of religion.
To make his religious standpoint much more conspicuous, Tagore indicated the emptiness was intensely rooted in the conventional religious rituals. The religious motif of Tagore was clearly reflected in Achalayatan in which he projects a protestant group among the followers of the Hindu faith, individuals who are rebellious against every kind of orthodoxy, superstition and fundamentalism. Broadly enough, Tagore reflects his own religious views through this drama.
The point that comes through most clearly in the analysis by Professor Banarjee on Tagore's religious thoughts is that Tagore's religious viewpoints were geared to saving humanity from all kinds of ills in society. As Kajal Banerjee would have us know, Tagore realized the root causes of conventional religious hypocrisies and consequently he attempted to come out from this confinement.
Tusar Talukder is a freelance writer and translator. E-mail: tusar.talukder@gmail.com.

Obama's flunking economy: the real cause

Ron Suskind's Confidence Men is not a calm first draft of history. It is not an impartial or unbiased look at the Obama administration's first two years. Rather, it is an investigation. The crime is homicide, and the victim is the promise of Barack Obama's presidency.
But this isn't a suspenseful whodunit. Suskind tips his hand in the first pages. He's describing the press conference in September 2010 where President Obama announced that Elizabeth Warren would help set up the Consumer Financial Protection Bureau. The mystery is why Obama seems to be holding her at arm's length.
It's quickly solved. The villain of this vignette and one of the key villains of the rest of the book is “the boyish man in the too-long jacket at Obama's right hip, bunched cuffs around his shoes, looking more than anything like a teenager who just grabbed a suit out of his dad's closet.”
So who is this man-child who can't find a properly sized suit to wear to the Rose Garden? “That's Treasury secretary Tim Geithner,” Suskind says, “looking sheepish.”
Suskind's book doesn't just have good guys and bad guys. It has good guys who look like good guys, and bad guys who squirm beneath the weight of their badness.
Of Larry Summers, Obama's first director of the National Economic Council, Suskind says that his personality “recalls that of Nixon and Henry Kissinger, or, more recently, Dick Cheney.” As for Rahm Emanuel, Obama's first chief of staff, he's “all impulse and action, with very modest organizational skills.”
I mentioned this was a murder mystery, so I won't leave you in suspense about the perpetrator: Suskind's investigation leads him right to Obama's senior staff, who he believes took advantage of the young president's inexperience and led a refreshingly unconventional candidate into a depressingly conventional presidency.
Suskind's story goes something like this: In 2008, Obama was presented with an economic crisis of astonishing severity and complexity. In the beginning, he showed himself to be unexpectedly prepared to deal with it, both intellectually and temperamentally.
His self-assurance and personal magnetism attracted a variety of impressive and able advisers, including former Federal Reserve Chairman Paul Volcker, billionaire investor Warren Buffett, UBS America chief Robert Wolf, former Labor Secretary Robert Reich, and former SEC Chairman William Donaldson.
But as “the severity of the crisis bore down on him,” Obama found himself leaning toward a different sort of adviser safer, more predictable. He wanted people who knew Washington, and knew how to get things done.
The “bold visions of the campaign season had meanwhile resolved into the serious, often risk-averse business of actually governing,” writes Suskind. “In the midst of a battering economic storm, it no longer seemed like the right time to be making waves.”
If you want to know what killed Obamaism, the answer is the stagnant economy. No president, no matter how politically graceful or personally confident, looks good in the midst of an economic crisis. Americans don't want leaders so much as they want jobs. And that's Obama's problem now, too.
The great counterfactual of Suskind's book is, “What if Obama had chosen a different team of advisers?” But by the end of his book, the counterfactual was coming true. Emanuel was out. Summers, too. Christina Romer, head of the Council of Economic Advisers, had left, and so had Peter Orszag, the first budget director. Even David Axelrod, Obama's longtime political adviser, was decamping back to Chicago. Only Geithner remains.
In his conclusion, Suskind seems appreciative of the replacements Obama chose. “Following the midterms,” reports Suskind, “the president seemed to be assembling the team he'd originally wanted.”
That was almost a year ago. Today, Obama's poll numbers are weaker than ever. The political betting markets give him a less than 50 percent chance of being reelected in 2012. Why? It's that unemployment is stuck above 9 percent. It's that a double-dip recession is a real possibility.
Obama's fortunes won't rebound until the economy rebounds. And so any account of what he has done wrong, or what he could do right, needs to provide, first and foremost, a persuasive case of how the White House could have done more to promote an economic recovery over the last three years, or could do more to accelerate one now.
Suskind's narrative takes place in the White House. But the economic response really took place elsewhere. Almost anything the White House wanted to do that would cost money had to be authorized by Congress. Tax cuts? State and local aid? Infrastructure spending? Nationalizing the banks? Congress. Giving bankruptcy judges the power to write down mortgage principal? Direct-employment programs? German-style work-sharing programs? In each case, Congress.
It is easy to tell the story of what the White House did wrong in its response to the financial crisis: It underestimated it. It had good reason to underestimate it, of course. Almost everyone was underestimating it. In the fourth quarter of 2008, when Obama's economic team was meeting in Chicago to map out their policies, the Bureau of Economic Accounts thought the economy was contracting at a rate of 3.8 percent per year. It wouldn't be until this year that we learned the economy was really contracting at a rate of 9 percent.
The observers who got it right were the ones who could tell a story that didn't rely on the early data. Kenneth Rogoff and Carmen Reinhart, who would publish “This Time Is Different: Eight Centuries of Financial Folly,” their epic history of financial crises, in late 2009, saw that the recovery would be slow and tough. Economists like Paul Krugman and Joseph Stiglitz, who were more knowledgeable about the struggles over recession in Japan and had their own Keynesian understanding of financial panics, were also suitably pessimistic.
But early mistakes can be corrected. If the initial stimulus is too small, you make it bigger. If your housing policies are too modest, you toughen them up. If the private sector sheds jobs and long-term unemployment becomes a problem, you begin hiring workers directly.
Or so goes the theory. The reality is more troubling. The initial stimulus was too small, but there's no plausible case that Congress would have been willing to make it much bigger just because the Obama administration had a theory that the financial crisis would lead to a worse recession than most forecasters expected. The trouble was that attacking a financial crisis with a too-small stimulus was a bit like attacking pneumonia with too-few antibiotics: You feel better for awhile, and then it comes back. And this time, it's harder to kill.
The problem is political. Having very publicly passed a very big policy that you promised would revive the economy, the country blames you when the economy does not, in fact, revive. Your policies are discredited and your opponents are emboldened. You lose seats in the next election and your leverage over lawmakers. So you can't, with any prospect of success, go back to the well and ask for a bigger stimulus or more money to buy up bad mortgages. And then, when the economy gets worse, you're simultaneously in charge and out of options. You came to Washington promising change and now you're begging for patience. It's a crummy situation, and there's no combination of policy proposals or speeches that can get you out of it. But this is the vise that has tightened around Barack Obama's presidency.
The fundamental constraints on the administration's leaders have not been economic or conceptual, but political. They know they need to act. But they can't act, or at least they can't act at the scale necessary to really change the economic situation. Republicans won't let them. Between 2009 and 2011, Democrats had 60 votes for a short period of time, but with Sens. Ben Nelson and Joe Lieberman included in that total, they never had easy control of the Senate, whose minority leader, Mitch McConnell, said in October 2010, “The single most important thing we want to achieve is for President Obama to be a one-term president.”
The question, then, is whether the administration could have done more to plan for its inevitable political weakness when it was at the height of its powers. One oft-promoted possibility would have been to abandon health care reform and focus solely on jobs. But it's not clear what, exactly, that would have meant doing. Health care reform took up most of 2009. The stimulus didn't really begin spending its money until 2010, and the recovery didn't flag until later that year.
There is little reason to believe that in 2009, before the stimulus had actually begun doing its work, the Obama administration could have gone back to Congress asking for more. And if the White House, which commanded the largest Democratic majority since the 1970s, had spent the year sitting on its hands waiting to see how the stimulus turned out rather than taking on health care reform or energy or financial regulation, its base would never have forgiven it.
If the White House couldn't go through Congress, perhaps it could have done a better job going around it. A major omission in Suskind's book is that it makes little mention of the Federal Reserve. But the Fed is arguably more powerful than Congress when it comes to setting economic policy, and it is certainly more powerful than the president.
The White House made two major mistakes here. One was leaving two seats on the Fed's Board of Governors unfilled. Congress certainly deserves some of the blame for this Senate Republicans filibustered Peter Diamond, a Nobel laureate economist whom the Obama administration nominated to fill one of the open slots but the truth is that the White House was slow to nominate Diamond, passive once it did nominate him, and seemingly lost once his nomination failed.
At the moment, the two seats on the Fed's Board of Governors remain open, and the White House has not put forward any new candidates. Those seats matter because the Federal Reserve is a cautious institution that is more comfortable fighting inflation than pursuing full employment, and if you want it to act with more vigor, you need to bring that energy in from the outside.
Of course, the most straightforward path to energizing the Fed isn't adding two new members to its Board of Governors, but replacing its chairman. And the White House had an opportunity to do so in 2010, when Ben Bernanke's term expired. Instead, Obama chose to renominate Bernanke. The thinking was that Bernanke had pursued an extraordinary set of activist policies during the worst of the crisis he probably deserves more credit than any single person for preventing a second Great Depression and he was respected in the institution and by the markets.
But Bernanke has been much more cautious in accelerating the recovery than he was in combating the initial crisis. When the financial markets were collapsing, he went far beyond the traditional limits of the Fed to support the financial markets, purchase depressed assets, and inject liquidity directly into the banking system. But he has not been nearly as aggressive in his efforts to support the recovery.
The mass media rarely mentions that, but nor do most presidents. Indeed, the greatest confidence man of the last few years, at least going by Suskind's definition, was not Larry Summers or Timothy Geithner, but Barack Obama. Being a confidence man is almost in the job description of the insurgent presidential candidate. Having not been president before, you must, by definition, ask the American people for a trust you have not earned.
And Obama was better at this than most. He gave America hope. He made America believe he could deliver change. And, by the standards of Washington, he has probably done more than anyone could rightly have expected. Stimulus, health care reform, the end of “don't ask, don't tell,” the creation of the Consumer Financial Protection Bureau, the Lily Ledbetter Fair Pay Act, the payroll tax cut, new tobacco regulation this is much more than your average first-term president achieves. But by the standards of the speeches and spirit that animated Obama's campaign, he has not done nearly enough.
At the end of the book, Suskind is sitting in the White House with Obama. “Leadership in this office is not a matter of you being confident,” the president reflects. “Leadership in this office is a matter of helping the American people feel confident.”
But the president needs to do more than lead. He needs to govern. And when he has so convinced the American people of his leadership that their expectations for his term far exceed his or anyone's capacity to govern, disappointment results. That's when they go looking for another confidence man one whose promises aren't sullied by the compromises and concession made in the effort to deliver results and the cycle begins anew. (Slightly abridged).
Ezra Klein is a columnist and blogger for The Washington Post and a contributor to MSNBC and Bloomberg View. This article was written before Barack Obama was re-elected in November last year.

Sunday, January 27, 2013

PHOTOSHP:Quick Tip: Emphasize or Hide Skin Flaws With One Layer Read more at http://photoshoptutorials.ws/photoshop-tutorials/photo-retouching/quick-tip-emphasize-hide-skin-flaws-layer/#X0r1hRlsGmA6LIH2.99

Step 1

Open the photo that you want to edit in Photoshop. The photo should have enough detail in the skin tones with little to no makeup.

Step 2

We’ll need to grab the Yellow channel. Before we can do this, we have to convert the image to CMYK by going to Image > Mode > CMYK.

Step 3

In the Channels palette (Window > Channels), select the Yellow channel. As you can see, the Yellow layer reveals the most skin flaws. Copy and paste this layer by going to Select > All then Edit > Copy.

Step 4

Now we need to convert the image back to RGB mode for editing. Instead of converting the image back, which will degrade the image quality even more, we can just undo all the way back to the beginning. Keep pressing Alt+Ctrl+Z (Option+Cmd+Z on Macs) until you’ve reverted back to the original photo. Go to Edit > Paste and Photoshop will place the Yellow channel you copied as a new layer.

Step 5

Change the blending mode to Overlay. You’ll see the effects immediately and you can reduce the effect by reducing the opacity.

Step 6

If you want to hide the skin flaws instead of revealing it, invert the layer by going to Image > Adjustments > Invert. Change the blending mode to Soft Light then reduce the opacity until it looks about right.

Step 7

You can also add a layer mask so that this layer only affects the skin tones. This is an optional step because your image will look fine most of the time without any masking. However, should you need to create a layer mask, you can do this by going to Layer > Layer Mask > Hide All. Select the Brush tool (make sure your foreground color is white), then paint with a soft-edge brush around the skin. If you’re using Photoshop CS6, you can also use the skin tone feature in the Color Range tool. To do this, go to Select > Color Range. Select “Skin Tones” from the dropdown menu and enable Detect Faces. Click OK and Photoshop will create a selection of the skin tones for you.

Final Results

Read more at http://photoshoptutorials.ws/photoshop-tutorials/photo-retouching/quick-tip-emphasize-hide-skin-flaws-layer/#X0r1hRlsGmA6LIH2.99

PHOTOSHOP:Make Photoshop Your Default Image Editor In Mac OS X

Written by Steve Patterson. In this tutorial, we’ll learn how to easily replace Apple’s Preview program with Photoshop as your default photo viewer and image editor in Mac OS X. Even though every copy of Photoshop includes a free and powerful file management program called Adobe Bridge, many Mac owners still use the Finder to locate and open their images. While there’s nothing terribly wrong with that, there is one small problem. Mac OS X, at least by default, ignores Photoshop when we open images directly from within a Finder window. Instead, it prefers to open them in Apple’s own Preview app with its basic and very limited set of image editing features. Since Photoshop is obviously our image editor of choice, let’s learn how to easily configure Mac OS X so our photos will automatically open for us in Photoshop every time.
Download our tutorials as print-ready PDFs! Learning Photoshop has never been easier!
First, navigate to a folder on your Mac that contains one or more of your photos. Here, I’ve opened a folder that’s sitting on my desktop. Inside the folder are three photos that were saved as standard JPEG files. How do I know they’re JPEG files? I know because of the ".jpg" extension at the end of their file names:
A folder containing three JPEG files. Image © 2013 Photoshop Essentials.com
Open a folder that contains some photos.
If all you’re seeing in your Finder window are the names of the photos with no file extensions after them, go up to the Finder menu in the top left of your screen and choose Preferences:
Selecting Preferences from the Finder menu in Mac OS X. Image © 2013 Photoshop Essentials.com
Go to Finder > Preferences.
This opens the Finder Preferences dialog box. Along the top of the dialog box are four tabs – General, Labels, Sidebar and Advanced. Click on the Advanced tab to view the Advanced options, then select the Show all filename extensions option by clicking inside its checkbox:
The Show filename extensions option in the Advanced Finder Preferences. Image © 2013 Photoshop Essentials.com
Click the Advanced tab, then check “Show all filename extensions”.
When you’re done, click the red "x" icon in the top left corner of the dialog box to close out of it. You should now see the file type extensions listed at the end of your file names inside the Finder window.
Let’s open one of the photos and see what happens using the default Mac settings. I’ll double-click on the “three_kids.jpg” photo in my Finder window to open it:
Opening of of the photos in the Finder window. Image © 2013 Photoshop Essentials.com
Opening a photo by double-clicking on its thumbnail.
Even though I have the latest version of Photoshop installed, and even though Photoshop just happens to be the world’s most powerful image editor, Mac OS X completely ignores it and instead opens my photo in the much less useful Preview:
The photo has been opened in Apple's Preview program. Image © 2013 Photoshop Essentials.com
Preview has a few image editing features, but it’s no Photoshop.
That’s obviously not what I wanted, so I’ll close out of Preview by going up to the Preview menu at the top left of the screen and choosing Quit Preview:
Choosing Quit Preview from the Preview menu in Mac OS X. Image © 2013 Photoshop Essentials.com
Selecting Quit Preview from the Preview menu.
So how do we tell Mac OS X to automatically open our photos in Photoshop? It’s actually very simple. First, right-click on the photo’s thumbnail inside the Finder window:
Right-clicking on the photo thumbnail in the Finder window. Image © 2013 Photoshop Essentials.com
Right-clicking on the photo’s thumbnail.
This opens a menu with various options. Choose Get Info:
Selecting 'Get Info' from the menu. Image © 2013 Photoshop Essentials.com
Choosing “Get Info” from the menu.
A long, narrow Info dialog box will appear full of details about the image. Look for the section that says Open with:. You’ll need to click on the small arrow icon to the left of the section’s name to twirl it open if it’s collapsed. This section tells us which program is currently set to open our JPEG files. By default, it’s set to Preview:
The 'Open With' section in the Info dialog box. Image © 2013 Photoshop Essentials.com
Preview is currently our default image editor.
Click on the word "Preview" to open a list of the other programs currently installed on your Mac and choose Adobe Photoshop from the list. If you have more than one version of Photoshop installed, choose the most recent version. Here I’m selecting Adobe Photoshop CS6:
Choosing Photoshop CS6 as the program to open JPEG files on the Mac. Image © 2013 Photoshop Essentials.com
Choosing Photoshop CS6 as my new default program for opening JPEG files.
There’s just one step remaining. We want Photoshop to become the default program for opening all JPEG files, not just this one image, so click on the Change All button:
Clicking the Change All button. Image © 2013 Photoshop Essentials.com
Clicking the Change All button.
Photoshop will ask if you’re sure you want to open all JPEG files (that is, files with the ".jpg" extension) with Photoshop from now on. Click Continue to confirm it:
Clicking the Continue button. Image © 2013 Photoshop Essentials.com
Confirm the change by clicking Continue.
And that’s all there is to it! You can close of out the Info dialog box at this point by clicking the red “x” icon in the top left corner. Photoshop is now set to open all of our JPEG files. To make sure everything was changed correctly, I’ll open my “three_kids.jpg” photo once again by double-clicking on it in the Finder window:
Opening of of the photos in the Finder window. Image © 2013 Photoshop Essentials.com
Opening the same photo again.
And sure enough, instead of opening in Preview as it did before, this time the photo automatically opens for me in Photoshop:
Photoshop CS6 is now the default image editor in Mac OS X. Image © 2013 Photoshop Essentials.com
Photoshop CS6 is now my default image editor.
And there we have it! That’s how to easily set Photoshop as your default photo viewer and image editor in Mac OS X!

Under-represented' women seek Davos equality

One of the most noticeable aspects of the World Economic Forum in Davos, a gathering of the world's top CEOs, politicians and officials, is the male dominance on the various panels.
Of the 2,500 movers and shakers who have descended on the picture-postcard Swiss ski resort, a mere 17 percent are women -- a discrepancy that organisers tried to address on Friday by holding a top-level panel on gender equality.
While speeches by the likes of Angela Merkel, Germany's chancellor and Forbes magazine's world's most powerful woman, and Christine Lagarde, head of the International Monetary Fund, are highly anticipated, many believe Davos needs more equality.
"Only 17 percent of Davos participants are women. That is just a reflection of reality," German Labour Minister Ursula von der Leyen told AFP in an interview.
"Only the leaders of the world are here and women are represented far too little worldwide in positions of leadership," complained the minister, 54, a close ally of Merkel and sometimes touted as a possible successor.
"Women are brilliantly educated, they have the ability but the glass ceiling is still very strong," she added.
Artist Fernando Morales-de la Cruz has captured the inequality at Davos by creating a poster with 18 high profile women who attended last year's shin-dig interspersed with just four men, to show what reality would be like if the gender balance was reversed.
Lagarde urged women to "speak out" against inequality and said obtaining more inclusion for women was an economic as well as a moral imperative.
"Gender inclusion is critically important, and, frankly, too often neglected by policymakers. In today's world, it is no longer acceptable to block women from achieving their potential," stressed the IMF chief.
"Think about it: women control 70 percent of global consumer spending," she noted.
"The evidence is clear, as is the message: when women do better, economies do better," added Lagarde.
The World Economic Forum (WEF) itself has put in place a quota since 2011 to address the problem, said Saadia Zahidi, a senior WEF director in charge of equality and it is beginning to show results, especially among younger participants.
Leading companies are required to select at least one woman executive among the five top-level representatives they send to Davos and Zahidi noted that while the situation was not ideal, it had at least improved.
"At the Annual Meeting 2013, approximately 17 percent of... participants are women, up from nine percent in 2002," she told AFP.
Viviane Reding, from the European Commission, which aims to have a binding 40 percent quota for women on the boards of listed companies by 2020, hailed EU figures out on Friday showing female representation in business had risen.
She said that while quotas had been effective, she wished they were not necessary. But without them, it would take until 2060 to have equality in Europe's boardrooms, she added.
German minister von der Leyen noted that quotas introduced in German politics had been successful and that they had given women "access to positions of leadership."
"I think in a few years, we won't need them any more," she forecast.
And for her part, Lagarde, one of the world's most influential women, said: "We must tear down all obstacles in the path of women, even the subconscious obstacles of the mind."

An oeuvre of artistic excellence Alamgir Karim's solo art exhibition at Zainul Gallery

“Country Image” is the first solo art exhibition of Alamgir Karim Bhuyain (Mafi) that began on January 22 at Zainul Gallery-2, Faculty of Fine Arts (FFA), University of Dhaka.
Vice Chancellor of Dhaka University, AAMS Arefin Siddique, inaugurated the exhibition as chief guest. Dean of FFA, Professor Abul Barq Alvi, presided over the opening programme.
The constant search for beauty influences and enriches our experiences. Our eyes and mind primarily help to this end. One has this perception while viewing Alamgir's artworks. Several still lifes at the exhibition represent the untainted beauty of realistic drawings.
Soft colours, rhythmic lines and an element of serenity are the highlights of most of his watercolours. The artist has washed the paper and gently brushed the colours. Each painting (watercolour) took him around a few months to complete.
This oriental style was popularised by Abanindranath Tagore (nephew of Rabindranath Tagore) who was inspired by the aesthetics of Ajanta and Mughal miniature paintings. Abanindranath Tagore initiated the Nabyo Bongiyo Chitrareeti (Neo Bengal Painting Style) that upheld Swadeshi (patriotic) values.
Lemon, yellow and vermilion are the colours that dominate one of Alamgir's paintings, showcasing Radha and Krishna. The painting reminds one of the distinctive Greek mythological styles. Another miniature watercolour by the artist portrays a female figure embracing the blissful gentle breeze that wafts through her lonely room through a window, tossing aside the curtain. With minimal expressions, meticulous lines and forms, and downward focus of an exquisite light, Alamgir's depiction of a woman, busy adorning herself, is a rather typical representation of rural life.
The depiction of a patient etherised upon a table (pencil sketch) engages the viewer to contemplate the power of metaphors and symbolism.
The exhibition ends today (January 27).

Padma awards for Rajesh Khanna and Sharmila Tagore

Rajesh Khanna and Sharmila Tagore, who were one of the most celebrated on-screen couples in Bollywood in the 1970s, were honoured by the Indian government with this year's prestigious civilian awards last Friday.
While Rajesh Khanna has been posthumously chosen for the Padma Bhushan, India's third highest civilian award, Sharmila will receive Padma Shri title, the fourth highest civilian honour.
Khanna, Bollywood's first superstar, who died in July last year, and Sharmila had starred in several hit films including “Aaradhana” and “Ämar Prem” (a Hindi remake of the Bengali film “Nishipadma” starring Uttam Kumar and Sabitri Chattopadhyay, based on novelist Bibhutibhusan Bandopadhyay's book).
Another leading Bollywood personality chosen for the Padma Shri award is director Ramesh Sippy who has churned out several blockbusters including “Sholay”.
Actress Sridevi, who made a grand comeback with “English Vinglish” last year after a long hiatus, will also receive the Padma Shri. “I am honored and humbled by this recognition. Would like to thank my fans for the love and faith they have always given me,” she said.
Actor Nana Patekar has also been chosen for the Padma Shri honour.
Padma awards are given to distinguished people across a spectrum of fields, including science, technology, arts and social work, every year on the eve of India's Republic Day on January 26.

DS Café

Rosy Siddiqui, known for her acting prowess, maintains a strong presence on stage, TV plays and films. Rosy continues to be active in TV plays, while she has been working in theatre for 23 years. She is the featured celebrity of this month at DS Café. She will be on the hot seat and will take your calls at The Daily Star Centre on January 28, between 4 and 5 pm. Readers, fire away all your questions at her! The best 10 questions will be featured in the transcript to be published later. Call 01711623915 and 01711623917 to speak to Rosy

New design for Padma bridge in 6 months: PM

Prime Minister Sheikh Hasina on Sunday said her government must kick off the construction of the Padma bridge within its tenure whether the World Bank gives fund or not.
"We have already asked Bangladesh Army, Buet and Bridge Division to complete a fresh need-based design for the bridge within six months. Then we will begin the construction works," sources quoted the PM as telling a meeting of Awami League Parliamentary Party at Jatiya Sangsad Bhaban.
This means, the AL-led government will at least begin the construction works of the much-talked-about bridge before the next parliamentary election scheduled to be held before January 24, 2014.
After cancellation of the loan agreement by the World Bank on charge of "conspiracy of corruption' in the project, it has become a prestige issue for the government to construct the bridge. It remains uncertain whether the WB will fund in the project.
Earlier, the premier said that they would look for alternative fund for the Padma bridge project if the main financier World Bank does not give its decision about funding the project by this month.
On WB's allegation against former communications minister Syed Abul Hossain, the premier said the agent of SNC Lavalin, a Canadian firm, went to meet then communications minister Abul Hossain and if it was a corruption, then it was Abul Hasan Chowdhury who should also be blamed for it.
"I have said if the situation comes in the investigation, both Hasan and Hossain will be arrested," AL MP Sadhan Chandra Majumder quoted Hasina as saying.
About the next parliamentary elections, the premier said the general election must be held before January 25 of 2014. "We will not allow holding any questionable election. If any of my MPs tries to interference in the election, the election in that area will be stopped," she said.